As a sculpture, the work is the sum of its materials; yet as the materials merge they can become a nauseating representation of an unseen body sinking into the landscape. This work is a part of the Goldsmiths College collection, UK.

1600.2mm x 990.6mm x 100mm

1/2

A Good Man Is Hard To Find (the evidence)

 

2012

Wood, oil-based paint, glass, archival ink, archival paper,

ice-cream (formaldehyde), brass